What would be my favorite setting?

One that feels genuine.  I got tired decades ago of the JRRT-standard Shining City In A Sea Of Empty that seemed so beloved of setting designers: you just cannot have glittering civilizations that give way to hostile wilderlands and howling orc hordes a bow shot from the capital's walls.  I don't want a terrifying war fleet without the maritime infrastructure to support it, or jackbooted legions without the secure farmlands to feed them, or hundred thousand person cities in the middle of a desert with no particular sources of food, water or trade.  I don’t need Good! Vs! Evil! to be the motivating factor behind every international, intraurban or internecine dispute; good old human motivations will do nicely.                   

One that isn't set up as a Potemkin front for the care and feeding of PCs. If there are five wizards in town, they're not sitting around twiddling their thumbs waiting for the PCs to put in enchantment orders.  I'm happy to see one working for the Baroness, one working for the town's richest merchant, one playing communications relay for the national military, and one being a drunkard no one with alternatives trusts any more.  (The fifth one can fit them into her schedule, sure, if they pay her enough to bump the waiting list down a bit.  They're cool with her being an earth specialist whose work is mostly in creating and shaping stone, right?)  If it's a 500-person town, there isn't unlimited gold available to buy the party's loot, and the townsfolk are only interested in buying things they can actually use.  Why would the local knight want to empty his treasury to buy that magic sword?  He's got a perfectly good one already, and he's got bills to pay, retainers to feed and the annual taxes to cough up.

One that isn't set up as a Potemkin front to oppose the PCs:  The party was trying to break into this three-story building that housed a jeweler.  Not someone who stashed the Crown Jewels, not a great enchanter, just a small-town jeweler.  And there were no windows or chimneys in the building.  No magics for light or air circulation.  No explanation as to where the smoke from lamps went.  No windows-but-heavily-barred.  No rhyme or reason, no sense to it.  No rationale beyond "haha, this building is designed to thwart PCs and force them to do a frontal assault during business hours."  (You may safely conclude that I was done with the campaign after that session.)

One with detail work in the right places.  I don't need the full gamut of combat stats and skills for the twenty lead figures in the royal court -- what are the party's chances of dueling the palace chamberlain, unless she’s really the Big Bad?  I don’t need a trap on every chest and every cabinet in every room of the palace -- good grief, the chambermaids and scullions will all be wiped out by Saturday -- and I don’t need detailed maps of the dwellings of the blacksmith and the chandler and the apothecary.  Put that work into the NPCs (and the items) with whom the party interacts at that level.

One where “it’s magic” isn’t the blanket excuse for everything. You won’t let me snuff the Big Bad or whack out her minions with no more effort than a snap of my fingers just because I say “I’m the hero,” would you?
 

Filing off the serial numbers

1) You discover a human skeleton, one hand wrapped around a shining spear with a brilliant silver head -- plainly magical -- the other grasping a crumbled ball of deerhide. What's left of his clothing is badly raked and bloodstained, and one leg stretches out at a very unnatural angle. A moldy backpack is nearby, but not much in it is intact, although you find a hunting knife and matching hatchet that’s only slightly rusted and a handful of slightly tarnished silver pennies. Not too far away is the skeleton of a mountain lion. Unfolding the ball of deerhide, there are crude letters written in charcoal on it. "Hey stranger," it reads, "Being of sound mind and bust legs, I will all to whatever finds me.  Gods hope it ain’t no orc.  I gots the creetur what got me.  Hope I died game.  Buy the boyz down at the Post a drink on me. Anyway I am dead.  Yours, Hatchet Nath."

2) A vast crashing upslope ... and the startling sight is of a person screeching and waving a big sword, chasing a large bear, both whom dash past you without a second glance. Even more startling is about a half minute later, when you see the bear chasing the person back uphill!

3) There's a human head, at ground level, in the middle of the trail. Only it still seems attached to a living body, but ALL you can see is the head ... buried up to the chin.  The person sings out to you, cheerfully, as if lacking a care in the world.

4) The hamlet -- there were only a few homes -- was attacked and burned out yesterday, it seems. Pretty much everything portable was looted. There are no survivors, save for a child who's something like six or seven, numbed and mute with the things the child saw.

5) You encounter a small tribe of backcountry hunters, who despite a significant language barrier, have indicated that the hunting is good, that they're settling down for the evening, and you're invited to dinner. If you accept, there's no chicanery or ill-intent, and there's a pleasant feast and some singing (it turns out that you know a couple tunes in common, even if you have different words for the lyrics). When you wake up in the morning, you're informed that your own contributions to the feast require recompense.  You are now married to this cute nubile teenager (of your preferred sex, at least) over here, huzzah! Glowers and snarls are the result of any reaction on your part short of unqualified delight ... ("You turn down this gift, they'll slit you, me, Caleb and the horses from crotch to eyeball with a dull deer antler!")

6) Your path takes you through a sacred burial ground of the local indigs, where their deceased are exposed on platforms for so-called "sky burial" with their weapons and treasured possessions.  Frontier rumor informs you that your presence here is sacrilegious, but tall defiles make going around difficult, and near-impossible if you've got mounts.

✵ ✵ ✵ ✵ ✵ ✵ ✵ ✵ ✵

Now.  While this could be the start of a list of interesting wilderness encounters (and it comes from a forum thread of the same), the punchline is that I took the inspiration for all of them from a TV movie I saw in my youth: Jeremiah Johnson, starring Robert Redford as a mountain man in the Rockies in the mid-19th century.  Something of a labor of love on the part of Redford and director Sydney Pollock, it’s very evocative, well-done, and faithful to the hardships great and small of wilderness life.

It also had a bunch of pretty nifty “encounters,” which happened in the order I’ve put them, and drove a fair bit of the plot.  #6 set up this next encounter:

7) Your path takes you back through that sacred burial ground, a few days later ... only there’s a new addition.  A necklace and other trinkets, all of which you know full well: you gave them to the teenage spouse you acquired in Encounter #5.

This turns out about as well as you’re imagining it did.  Cue the plot of the whole rest of the movie.

Unless your players saw the movie (and the oldest of my players was 7 years old when this movie aired in 1972) you could just about run those encounters straight and they'd never know the difference.  The way #6 actually spun out in the movie is that Jeremiah’s asked to lead a cavalry detachment to Point B, the way goes through the burial ground, Jeremiah knows that it’s a bad idea, knows that the Crow will take deep offense, but the cavalry officer is insistent and wants to waste no more time breaking trail around the site.

Easy enough to file off the serial numbers, though, which the encounter as depicted above does.  And for what movie or book couldn’t you do that?

30 Generals

(These were written for a gaming site, and each of the following is a real or fictional general.  Feel free to steal!)

"Wait till you see the greens of their eyes!"

1) The McClellan:  A meticulous planner and an expert in logistics, the McClellan wants to be prepared.  Thoroughly prepared.  He’s the sort who’ll visit individual units to check their kit, ask the troopers what their needs are, eat in their messes to ensure the food is well cooked.  He’s also a sound theoretical tactician, and wrote the army’s tactics manual.  Somehow, all this doesn’t translate onto the battlefield, where he’s hesitant to risk the army he loves so much, skittish and easily convinced the enemy’s forces are far larger than they really are.  He’s never commanded a decisive defeat, but he’s never come close to gaining a decisive victory, either.  While he wins few battles and his superiors are fed up with him, he has the staunch support of his soldiers.

2) The Scott: He’s the nation’s greatest living military legend.  He’s served on active duty longer than any general ever has, and he's been a general longer than any general's ever been.  He was a general three wars and nearly fifty years ago, and in the last war the Scott was both the army’s general-in-chief and the cunning strategist who led the national army to victory against impressive odds.  Decades later, he’s still the general-in-chief, and still a sound strategist.  But now there’s a new war, and the Scott is an old man: sick, obese, unable to take the field.  It doesn’t help his cause that he’s a bit hidebound, still prefers the field tactics of an earlier day, and is increasingly fussy in his dotage.  For the first time, younger officers mutter that he ought to be superseded.

3) The Massengale: All his career, he’s been a political animal.  He had the right education, the right social lines, the handsome features, the brilliant smile.  He started as the aide-de-camp to an important general, parlayed that into a high staff position in the national military establishment, and leapfrogged up the ranks of the peacetime army.  He’s an ace at making his superiors look good and himself look better, and is the fellow you want on the dance floor, in the banquet hall, at the conference table.  Amoral, smooth, he has no qualms about backstabbing anyone who’s no longer of use to him, the road to military oblivion is paved with the skins of his enemies, and common soldiers are beneath his notice.  Now that the next great war has come, his chance to do what he must to become general-in-chief one day has finally arrived: to have operational command of troops ... something he’s never done.

4) The Stuart: A belle sabeur, he’s the very image of the dashing cavalier.  He goes into battle wearing silks, sashes and plumes, and he’s a popular hero to many.  He’s also a brilliant cavalry general, famous for daring and successful raids behind enemy lines.  He’s lucky, he’s good at what he does ... but the Stuart has a dangerous problem with ego and distractions.  He may well pause in his duty to throw an impromptu gala ball (which he loves) or to wear out his troopers with parades and reviews (which he also loves), and he’ll freelance to rack up some new and impressive feat at the risk of his command.

5) The Giap: His nation is weak, and faced with powerful enemies who’ve occupied large stretches of the land.  Self-trained as a soldier but an avid student of tactics, he has been forced to become a master of guerilla warfare.  While secretly he yearns for a great decisive set piece battle, his patience and iron will prevent him from such a foolish mistake, and instead the Giap channels his intellect into developing unorthodox and asymmetric tactics to counter the enemy’s military might.  In particular, he will push his men into doing things thought impossible, like maneuvering through purportedly impenetrable jungle.  His only weaknesses are off of the battlefield; he is ruthlessly authoritarian if in charge of civilians, and his love for the ladies offends the rigid moralists of his culture.

6) The Damon: A decent, honorable soldier who came up from the ranks after winning the nation’s highest military honor, he spent many years in hardship posts before gaining general’s rank.  He makes friends easily, but he’s no politician, won’t compromise for barracks advantage, and has his share of enemies in the hierarchy.  The Damon is also plain and outspoken, and has views about warfare and patriotism which offend glory-loving civilians with no notion of the horrors of war and even less desire to hear about them.  Another trait that offends people is that while he scrupulously follows the codes of war off the battlefield, he sees no reason to hold back on the battlefield, advocating tactics and weapons his culture finds inhumane in the belief that anything which shortens the war is humane.

7) The Tserclaes: He’s been a commanding general for decades, and has an impressive record of victory: he has never lost a battle in which he’s enjoyed sole command.  His men revere him for that, and would follow him anywhere.  He is no innovator – although he has mastered the time-honored battle tactics associated with the infantry he commands.  His approach to combat is straightforward ... march to where the enemy is, and pound them head-on until they yield.  He’s known to be extremely loyal, and will never betray or cheat his nation. As against that, the Tserclaes has gained a reputation for battlefield brutality even by the standards of his brutal era, having butchered more than one army in retreat and engaging in more than one infamous sack of a captured city.

8) The Gars: A man who sees further than other commanders of his day, he hasn’t invented any new tactics, but is the master synthesist, and melds ideas into formations and tactics that have proven startlingly effective.  (Moreover, he has an unparalleled record for training his lieutenants to be great generals in their own right.)  Notable for piety even in a pious age, he will not permit blasphemy in his army, and has curious renown for writing popular hymns.  What endears him most to his men is that the Gars asks nothing of his men he shrinks from himself, and leads from the front: he is in his own right a deadly warrior.  But he has taken more of his share of wounds over the years – which hasn’t at all curbed his reckless desire to fight – and some worry that the next battle could be his last.

9) The von Clausewitz: He’s had a long military career, and has been in a number of battles, but he’s usually held staff positions – chief of staff, inspector-general and the like.  The largest unit he’s led in battle was a brigade, and that as subordinate to another.  His reputation rests on his being a notable military theorist.  Even there, his views are somewhat heretical, for he’s less concerned with the minutiae of mathematics and drill than with the philosophy of battle and on war itself, and he’s deeply skeptical of a number of long-cherished military shibboleths.  Nonetheless, many generals swear by his writings, although to the von Clausewitz’s irritation, they tend to “interpret” his views to support their own prejudices.

10) The Ewell:  He’s a profane eccentric, a hypochondriac fond of bizarre diets and whacky non-sequiturs, with more nervous tics than many a trooper cares to count.  He’s also been a brave general for years, operating as the loyal and effective subordinate to one of the most renowned commanders of the day, and despite his quirks, his men have always followed him with a will.  But his superior has just died, and the Ewell has been promoted to run his old army.  Without the old general’s firm hand on several willful subordinates that the Ewell must now command (or, as to that, directing the Ewell himself), it’s anyone’s guess how he’ll perform at his new elevated rank.

11) The Mitchell: He is a daring, tireless, committed leader, and was chosen to lead a new and promising arm of service.  He feels that he proved the new arm’s worth in battle, and indeed is convinced that this type of unit – if properly developed – will revolutionize war.  As such, the Mitchell is an unstinting advocate of the service arm, and openly derisive of traditionalist generals, feeling that they’re only interested in fighting the previous war.  He’s crossed the line into open insubordination on the subject more than once -- not helped by the fact that he's a very heavy drinker -- and a number of generals want him muzzled ... or cashiered.

12) The Baner: As a young boy, he was forced to watch his mother and aunt executed for treason for being on the wrong side of a succession dispute.  But he was befriended by the king’s son, and pledged loyalty to the dynasty when the prince took the throne and restored the Baner’s family lands and title.  But that is all the Baner is loyal to, and he respects nothing and no one else.  He will defend the new Queen now that her father, his friend, is dead, but damn all else that gets in his path.  Unsparing in his wrath, he will attempt things other generals won’t – night attacks, midwinter campaigns – despite the toll it takes on his men.  His lifelong griefs he drowns in alcohol, which is visibly affecting his health ... though not (yet) his skill on the field.

13) The Hood: Eager to lead his troops into battle, he has distinguished himself on many a field as a leader of smaller formations, mostly of countrymen of his from a remote province.  “A lion, not a fox,” as one fellow officer called him, his bravery has led to near-fatal wounds that still impair him, though he insists on continuing to wear the colors.  (Off the field, by contrast, he is personally shy, and has a diffident manner which astounds those who know only of his repute in war.)  Now he has been put in charge of an army for the first time, with his nation badly battered and nearing final defeat; while he is the youngest commanding general on either side, it is hoped that his aggressive nature will turn the tide.  The Hood hopes so, at least, and feels that he not only has no choice save to take the long chance, but that he’d rather go down swinging than survive the war not having done his utmost.

14) The Burnside: He was out of the army for years as a businessman (involved in manufacturing weapons, as to that), although he commanded his province's militia, studiously drilling with the local units.  When the next great war came, he became a general.  But even though he won a couple minor battles, he’s not a good one, and he’s the first to tell you that.  Yet somehow he keeps getting promoted, and he keeps muffing battles.  He doesn’t want higher command, and turns it down as often as he dares, but the vagaries of politics, a string of bumblers, and the chance of a rival general he hates taking the top position have thrust him into a spotlight he’s convinced he’s incapable of meeting.  He’s also patriotic to a fault (he’s very willing to throw civilians in prison for even hinting at sedition) and may not feel it’s his right to tell his superiors no.

15) The Bragg: The best that can be said about him is that he’s “touchy.”  Anything that goes wrong is one of his subordinates’ fault.  Anything that the enemy does right is because one of his subordinates failed to react in time.  He’s constantly complaining about them and they’re constantly trying to subvert him in return.  Beyond that, he’s just as likely to pick fights with his superiors, writing frequent notes about his lack of support.  (His men, who despise him as a butcher enamored of frontal assaults and viciously harsh discipline, rather wish they could pick a fight with him themselves.)  He’s been court-martialed, censured, reprimanded ... but keeps his position because of his past as a war hero and the backing of the realm’s ruler, a personal friend of his.

16) The Kilpatrick: He’s fearless, blustery and a schemer, and is where he is because of his mastery of political manipulation.  A cavalry commander, he’s notorious among his men for suicidal charges and ordering his troopers well past the point of exhaustion and breakdown, and the rankers hate his guts.  His reputation is little enhanced by his taste for peculation, his lack of personal morals – up to keeping prostitutes in his tent on campaign – and his callous treatment of subordinates.  Still, the politicians enjoy victories, and pay little attention to the cost that "Kill-cavalry" pays for his methods.

17) The Morgan: He’s actually from the future – brought back to this time and dimension through means unknown.  He has command of technologies and techniques far in advance of the primitive times in which he finds himself, and being industrious in nature, convinces the ruler to let him replicate them.  They’ve stood in very good stead on the battlefield ... so far.  But the Morgan is brash and breezy, dismissive of the customs of the realm, derisive of the traditions of the culture, contemptuous of the ruling class and their ways, and not-so-secretly believes that his knowledge and talents should have him ruling the whole land.  Those generals brought low by the Morgan’s successes thirst to encompass his ruin.

18) The Hawkwood: He’s the most famous mercenary general of the era.  Quicksilver brilliant, he always seems to be on the victor’s side on the field.  Of course, he tends to ensure that: he has no compunction about switching sides, and will often take a contract from one side and then go to the other and see if they’ll better it, keeping the payments in any event.  (His men revel in the flows of cash, more than any other mercenary commander commands, and stay loyal, ironically enough.)  The Hawkwood is no orator, and doesn’t rally troops with personal magnetism or stirring speeches – just by the reputation of a man who always wins.

19) The Boudicca: In an era and a culture where women are not soldiers, less so commanders, she is the notable exception.  She’s no great tactician, but her harsh voice and piercing glare would shame many a drill sergeant, and she prides herself on being as tough as any soldier.  What really makes her stand out is that she’s got more skin in the game than any other general: her family was among the victims of atrocities wrought by the other side, and she will never, ever, ever quit, not while she’s still breathing, not as long as she still has a half-dozen soldiers to command.  In like fashion, the laws of war mean nothing to her any more, and massacres of defeated armies – or captured cities – at the hands of her army are commonplace.

20) The Jomini: The great rhetorical opponent of the von Clausewitz, he is a military theorist who scoffs at the notion of philosophy and holds to that of geometry: that a scientific approach reveals all manner of patterns which can be brought to play on the battlefield ... if on a flat plain, as opposed to rough terrain, where the numbers aren't so neat and pretty.  His works are popular, and have led to him being appointed as a general (though never in full command, something that irks him) by more than one side.  While this has come back to bite him when one side commissioning him declares war on another, the Jomini’s diligent staff work continues to commend him.  He is, however, a sycophant, and tends to tell a ruler what he or she wants to hear to gain preferment.

21) The Van Dorn: He was a compromise candidate – the two other choices being bitter rivals, and other candidates wanting no part of the fractious command – and it was a surprise when he was appointed to the post, despite his successes as a leader of light cavalry.  Aware that he was only the fifth or sixth choice, he thirsts to prove himself, despite his warring subordinates and the shambolic state of his army.  Emotional and impulsive, he expects to gain a glorious reputation, come what may.  He also has prominence as a painter and a poet, which he practices to clear his mind of military matters, but more recklessly, he is a “terror to ugly husbands,” caring little for the status or power of those he cuckolds.

22) The Rosecrans: A skilled engineer and successful educator, he was humiliated when he was kept at his desk at the national military academy when cadets and fellow officers alike were rushed into the last war, gaining glory that the Rosecrans never saw.  Needing to support his family in a better fashion than his mid-rank officer’s pay could manage, he resigned his commission and went successfully into business.  The new war has brought many retired officers back to the colors, and the Rosecrans was put in charge of a modest force, to good effect, where he outmaneuvered the enemy without giving battle.  Now he has his own army ... but while he is good at maneuver, he is a poor tactician, given to confusing and unrealistic orders, and is wont to dive into the front lines waving his sword rather than commanding the effort.

23) The Pompey: A young, successful, ambitious general, he dismays the conservatives in the government by his rapid rise, and his cavalier approach to legality: the Pompey often gets his way by subtly threatening the government with his loyal army.  His tactics are only efficient and neither inspired nor imaginative, and he can be tricked – if only temporarily – on the battlefield.  He is unparalleled at logistics and strategy, and wins his battles largely by choosing the right battlefields, thinking two steps ahead, and maneuvering his columns to put the enemy in untenable situations.  He’ll also readily adapt strategy to the opponent’s behavior: against a larger army he’ll fight a war of maneuver, against a defensive army he’ll fight a war of attrition, against a hesitant enemy he’ll go on a swirling offensive.  Many believe he is destined to rise to the top – something his foes in high places devoutly wish to prevent.

24) The Forrest: In an army dominated by the aristocracy and the gentry, he’s a rough frontier commoner.  In an army where most of the leading generals are scions of the nation’s military academy, he’s self-taught.  In an army where the commanders all started as officers, he started as a simple recruit.  In an army where the gentleman officers despise those in trade, he’s not merely a former tradesman, but a gambler and slave-trader.  Yet his brutal and innovative methods have made him his nation’s greatest cavalry commander and a tactician of impressive gifts, and he believes in the virtues of high mobility.  In personal combat he has yet to meet his equal, and is said to have slain dozens of the enemy personally while leading his troops (as well as having a record number of horses killed under him).  The Forrest does not believe in quarter, and seldom offers it, contributing to the dread in which enemy generals hold him.  It would be a dark day for the enemy should the Forrest ever reach high command – but he is dismissed as merely a successful raider by those same gentleman generals.

25) The Montmorency: He’s the protégé of the nation’s most famous general, and now that he’s succeeded the old woman he seems fair to better his retired mentor’s record.  He’s even won a nickname – the “Tapestrymaker” – based on the number of captured colors he’s sent back to the capital.  Logistics bores him, idle camp life sends him into paroxysms of depraved excess, and he’s had a hand in at least one notable war atrocity, but on the field he’s undefeated.  Somehow, he stays loyal to the nation, despite political infighting that has had him spending time in prison on trumped-up charges ... but when the war trumpets sound, the Montmorency is always hastily pardoned and put back in harness.  A pungent humor seems to keep him sane.

26) The Vauban: He’s the foremost military engineer of his age, and his nation has raised taxes to a near-ruinous level to rebuild obsolete fortresses and castles to his design.  Beyond that, his tactics for prosecuting a siege have proven very successful and been widely adopted, and one would imagine the Vauban’s reputation to be complete.  Unfortunately, he’s a prolific writer – and a proud member of the national academy of scholars – and a frequent critic of the government, proposing radical changes in land use (he’s advocated ceding territory he deems too difficult to defend), taxation and religious practice.  It’s increasingly felt that his military services are dispensable ... especially since they are mostly in theories already well known.

27) The Grant: (No, not the one you think.)  The “Mad Musician” is an oddball, all agree.  He’s famously laconic, speaking mostly in barked out one-word sentences.  His only hobby – or vice – seems to be music; he’s a devoted cellist and composer, and brings his instrument on all campaigns.  Indeed, it’s whispered that his army career was made only because a general wanted a cello player for a string quartet.  Inarticulate, poorly educated, rough around the edges, dismissive of scouting, what has sustained him is his iron constitution, the discipline of his soldiers, his belief in outposts, entrenchment and gaming out scenarios ... And that the Grant is the world’s deadliest fighter.  With any weapon he is the master, and he has won more than one battle by literally riding to the front and single-handedly breaking the enemy line.  His men may think him insane, but they will follow him to Hell and back.

28) The McDonald: Like the Morgan, he hails from a land in another time and space, of technology far beyond that he finds here.  He was summoned by a magical spell, but the wizards didn’t quite get what they thought they were getting.  While he’s a thoughtful, intelligent young man, he was never a commander: only the sergeant of a small raiding unit.  In command now of an army, he’s won the day by pulling out techniques and stratagems of his time unknown to those of this land.  But the enemy is not stupid, they’re learning quickly, and -- being a competent soldier, but scarcely a master strategist -- the McDonald is running out of rabbits to pull out of his helmet.  He also came here only with the futuristic weapons he could carry on his back, and those are rapidly being depleted; he has taken to learning the sword and lance, but is by no means expert.  A tendency towards impetuosity is doing him no good.

29) The Wheeler: In the last war, much the same as the Stuart, he was a general of light cavalry renowned for his raids behind enemy lines. But while the daring, slashing raids captured the imagination of his nation, his disinterest in following orders, love for frontal assaults and the laxity of discipline which seeps through his command doesn't endear him to a number of his peers. (Chief among these is the Forrest, whose disciplined nature finds no tolerance for the Wheeler's antics, and has publicly sworn that he'd rather be dead than serve with him again.) Following the conflict, the Wheeler entered politics and gained high posts, and wrote several popular books of his adventures. Now, thirty years later, it's a new war, and the luster of his fame -- that, and that he's one of the last generals from the old war still fit for it -- has led him to be appointed commander of the national cavalry.

30) The Roosevelt: Sickly as a boy and home tutored in consequence, the young aristocrat grimly pushed himself to be an outdoorsman, building up his stamina with a stern regimen of physical training. While an excellent scholar, a life of letters simply bores the Roosevelt, and he'd rather be out hunting or exploring. Still, a man of his station accepts all duties presented to him, and he's had a series of ministerial posts ... although his enemies claim that it's more a matter of boundless ambition than disinterested service. But now! Now there's a war! And to be a real man, a man must fight! The Roosevelt secured a general's commission, gathered a unit full of fellow aristocrats and riders from his estates. His command -- backed by his money -- has the best of everything, but it's yet to be seen whether his impetuosity and self-confidence will win battles.

Tidbits II: We Were Gamers Once, And Young ...

Spring 1979: While I’d been GMing solo sessions with my younger brother Mike since the previous year, my first actual campaign started later.  I didn’t start keeping my famously insanely detailed records until March of 1981.  But the timeline involved my high school classmate Laurey starting school at UMass-Amherst at the end of January 1979, and shortly thereafter I visited her out there, and we and our fellow high school classmate Marilyn got into a startup Empire of the Petal Throne game GMed by the guy across the hall from Laurey.  So ... I’m thinking this couldn’t be earlier than May 1979, the point where Laurey and Marilyn would be back home in Plymouth County for the summer.

I'd picked up City State of the Invincible Overlord and the Judges Guild core Wilderlands package; that's what I used to start.  Right from the beginning, though, I wasn't satisfied with the dungeon fantasy flavor of Random Stuff Randomly Strewn, or with the Wilderlands/JRRT standard of oases of high civilization in the middle of howling wildernesses, with orc hordes in bowshot of every town's walls.  The pen went flying fast.  (I still use the Wilderland maps as the underlying basis for my world, even heavily edited, but only out of decades of inertia; I'd create my own if starting from scratch.)

The dramatis personae, in no particular order.

My first players were high school classmates of mine: Laurey, Mal and Jackie were in my graduating class, Rick was in the next one, and we'd all been in the chorus together.  My younger brother Mike (an avid sword-and-planet reader who was a class behind Rick) made the fifth player.  Mike played Korak, a barbarian firmly in the Conan mode and with a Conanesque future; Rick played Valthor, a more Norse-style barbarian; Jackie played Alexandra the priestess; Laurey played Seka the courtesan-mage; and Marilyn played Linden the stick jock.  Classic Howard/Leiber style early RPG play, really, that was 70s gaming for you. (This also set a significant pattern for my whole gaming career; note that this was a majority-female group.  Save for a single semester at my first college's gaming club's sessions, I would never not have at least one woman at my table.  That was decidedly NOT 70s gaming standard, and it was a while before I realized that this was not merely unusual but highly so.)

I wish I remembered what the first adventure was.  (Likely it was pedestrian enough by my present-day standards that I'd cringe in retrospect.)  I do remember that I set the table with the weary party, walking on a dust-clouded road, heading for the great gate of one of the mightiest cities ever founded ...  I ran a couple of the JG published scenarios early on -- Dark Tower, Thieves of Badabaskor -- as well as a homebrew dungeon or two, and the CSO remained the home base of the party for a couple of years.

Early on, though, I got geopolitical, but that's a tale for another time ...

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The crew shook out fairly fast.  Mike, Rick and Laurey were in my campaigns for years, but Jackie was my first encounter with the Gamer Girlfriend stereotype; she played pretty much because the rest of us were, and she dropped the hobby like a hot potato when she and Rick split up soon after.  Marilyn was the root cause for my abandonment of random gen and journey to variant homebrew; she hated playing anything but wizards, went along only grudgingly with the STR 18 DEX 16 fighter-type she rolled up (unfortunately, I hadn't yet wrapped my head around RAW being a suggestion, not a mandate, and I cajoled her unwillingly into it), and ditched her for greener pastures soon enough.  She was only an intermittent player thereafter.  

That being said, our gang was heavily dominated by graduates from Silver Lake.  Of my first fifteen players only four weren’t high school classmates of mine: the aforementioned EPT GM and another UMass player of his (both of whom lived in the Boston area), and Rick’s martial arts teacher and his wife.  We wound up playing a lot of our games in the teacher’s home through to the end of 1981.

By 1982, Laurey and I fell out over my dating my future first wife, and Rick went career Navy  around the same time.  Mike was an occasional player for years to come, and was a regular as late as 1987; his final curtain call was in 1989, at a massive run that involved seventeen past and then-present players, and I needed two assistant GMs just to handle it.

It's odd how this underscores the longevity of my current group.  My wife and another player, Todd, have been gaming with me since 2003, and they're the youngsters of the bunch.  Andrew's been gaming with me with some breaks since 1990.  Dave's been gaming with me (with likewise some breaks) since 1987.

 But that, too, is a tale for another time ...

Tidbits: The Old Geezer OD&D Challenge

Eh, I've written enough huge rants lately.  Herewith some shorter musings:

There's a longtime forums poster who's gone by the names of "Old Geezer" and "Gronan of Simmerya."  As it happens, as a teenager he was one of Gary Gygax's earliest players, active in D&D before its publication, and furthermore he was one of M.A.R. Barker's early players, active in Empire of the Petal Throne before its publication.  He's been an invaluable fellow in discussions of gaming history and How It All Began. 

In one thread, Old Geezer opined that his biggest regret about OD&D was the lack of morale rules.  This led me to contemplate what my biggest regret was, and what -- had I been standing over Gary Gygax's shoulder and murmuring, "Dude, you really need to write this in" -- I'd have wanted to see in those rules.  

Caveat: we're talking first gen RPG, 1974; we're leaving Greyhawk, Blackmoor, Eldritch Wizardry, GD&H etc out.  The same publishing constraints apply, so I might be able to talk them into bumping the first or third books up a single sheet of paper (= 4 pages), and that's it.  Also, no massive rules rewrite; I'd love to have said "skill system," and that could've fit, but that'd mean having to redo most of the first book.  So ... for what might I have asked EGG?  And this is what I responded:

* * * * * * * * *

For my own part, while I would've wanted a complete overhaul in tone, the fact is that whatever we made of the game, it was written as a wargame for wargamers.  It's not that Gygax screwed up: it's that neither he nor anyone else knew any different then.  Yet.  I could think of a lot better use for a number of those pages than exacting rules for building and manning castles, but in 1973, they hadn't.

As I said, I'd have loved for there to have been a skill system rather than class/level, but that would've been a completely different set of rules.  So given my caveats, my choices would boil down to:

1) Forget alignment.  Completely.  Absolutely.  If there was one rule that had a poisonous, pernicious, lasting and idiotic sway over the hobby, this was it.  Alignment could without a drop of angst have been left out of D&D from the start, and at any time thereafter.  (The enduring irony of the protagonist of the books contributing most to the 70s Law/Chaos zeitgeist being a worshiper of Chaos invariably working for Law, something a lot of DMs would never permit, hasn't escaped me.)  That sucks up a whole page: we can use it writing a Rogue class.

2) The bigger single rule change, though, would be surprisingly simple: fixed hit points.  Something easy, say, HP = CON + 2 or 3/level?  IMHO, the most serious bar to roleplaying (vs wargaming) is that low-level OD&D characters had the survivability of chum in the water.  Make them likely to last past the first session, and there's incentive to invest in them.  Likewise, ditch random chargen.  Use some manner of fixed system.

3) We can do SOMEthing about the tone, though.  "Warriors," not "fighting-men."  "Wizards" or "sorcerers," not "magic-users."  Take the language out of the paradigm that presumes all adventurers are male, and the only women out there are "witches" or seductresses set in opposition to the pure Galahads.  (See p. 27, pfft.)  Ditch the notion of a "Caller" in the example of play and use real character names, with different people having turns.

[2022 edit: At the time of my original post, I hadn't seen the set of OSR rules called Lamentations of the Flame Princess.  It had a "Specialist" class (what they called thief/rogue, basically), listing nine skills -- Architecture, Bushcraft, Climb, Languages, Search, Sleight of Hand, Sneak Attack, Stealth and Tinker -- and conferring 4 points at startup and +2/level to allocate among them as the player saw fit.  The result was that (say) as a 1st level Specialist, you could choose to have 2 pts in Stealth and 2 pts in Search, and you'd succeed on a roll of 1-2 on a d6 in either.  Rotten percentage chance, but it's a terribly clean and workable mechanic.  That would've worked just as well in OD&D.  Call this (4).]